حسام عشقی صنعتی

Hesam Eshghi Sanati

هتل بزرگ العین (مرکیور)، امارات: بهشتی در بیابان

  • دید به استخر

Mercure Grand Jebel Hafeet Al Ain

Photo: Hesam Eshghi Sanati © 2009

All rights reseved.

The Mercure Grand Jebel Hafeet with 124 rooms is a unique mountain oasis resort, located on Hafeet Mountain at 915 m. It is a 2 hour drive from Abu Dhabi or Dubai. The refined authentic architecture reflects the magic atmosphere of the region. The hotel offers 2 restaurants, a coffee shop and a bar with breathtaking views of the city. There are also various meeting facilities and recreational activities available ,such as a health club, 3 swimming pools with water slides, mini golf and a kids playground.

دارای فضاهای:

Tennis Court, Sauna, Fitness Centre, Golf Course (within 3 km), Spa & Wellness Centre, Massage, Children's Playground, Billiards, Table Tennis, Hiking, Cycling, Turkish/Steam Bath, Squash, Mini Golf, Outdoor Swimming Pool.

خدمات:

Room Service, Meeting/Banquet Facilities, Business Centre, Babysitting/Child Services, Laundry, Dry Cleaning, Barber/Beauty Shop, Ironing Service, Currency Exchange, Souvenirs/Gift Shop, Shoe Shine, Packed Lunches, Car Rental, Tour Desk, Fax/Photocopying.

سرویس اینترنت وایرلس در لابی و سایر فضاها، و اینترنت با سیم در داخل اتاق های هتل به ازای هر ساعت: 35 درهم.

 

  
نویسنده : Hesam Eshghi Sanati - حسام عشقی صنعتی ; ساعت ۳:٠٥ ‎ب.ظ روز شنبه ٢۸ شهریور ۱۳۸۸
تگ ها :

دفاعیه طرح نهایی کارشناسی معماری: امیرنصر فولادخواه

:: طرح نهایی یکی از دانشجویان برجسته‌ی دانشکده ی معماری و شهرسازی دانشگاه هنر تهران، پردیس کرج.

عنوان پایان نامه: «سفارتخانه ایران در آلمان (برلین)»

 

تاریخ دفاعیه: 24/6/1388- دانشکده معماری و شهرسازی، پردیس کرج 

طراح: مهندس امیرنصر فولادخواه

راهنما: مهندس محمود ارژمند

مشاور: دکتر نادیه ایمانی

درجه‌ی ارزشیابی: عالی

 

«سفارتخانه ایران در آلمان (برلین)»: امیرنصر فولادخواه

«سفارتخانه ایران در آلمان (برلین)»: امیرنصر فولادخواه

«سفارتخانه ایران در آلمان (برلین)»: امیرنصر فولادخواه

ضمناً امیرنصر ، هم‌اکنون در مقطع کارشناسی ارشد معماری دانشگاه شهید بهشتی، گرایش مطالعات معماری ایران به ادامه‌ی تحصیل مشغول است.

 

  
نویسنده : Hesam Eshghi Sanati - حسام عشقی صنعتی ; ساعت ٧:٤٤ ‎ب.ظ روز چهارشنبه ٢٥ شهریور ۱۳۸۸
تگ ها :

نقدی پیرامون آثار و اندیشه های 8 تن از معماران معاصر

طرح روی جلد کتاب (Theoretical Anxiety and Design Strategies in the Work of Eight Contemporary Architects) نوشته رافائل مونئو

Theoretical Anxiety and Design Strategies in the Work of Eight Contemporary Architects

(Rafael Moneo)

 

  
نویسنده : Hesam Eshghi Sanati - حسام عشقی صنعتی ; ساعت ۳:٥٦ ‎ب.ظ روز سه‌شنبه ۱٧ شهریور ۱۳۸۸
تگ ها :

ایده ای نو برای ذخیره انرژی: کاربرد باتری در خانه

The Key to the Battery-Powered House

By Randy Wright / 2009

Scientists have created a small-scale prototype battery that could store enough energy to power a house for most of the day. Is this small disk the key to cost-effective solar-powered homes?

ایده ای نو برای ذخیره انرژی: کاربرد باتری در خانه

When scaled up in size, this prototype battery could store enough energy to power a house for most of a day.
 
Without a way to store their power, no number of solar panels will free a home from the electrical grid. Researchers at Utah-based Ceramatec have developed a new battery that can be scaled up to store 20 kilowatt-hours—enough to power an average home for most of a day. An easy sell for solar users, but it could also allow the grid-bound to stockpile energy during less expensive off-peak hours.

The new battery runs on sodium-sulfur—a composition that typically operates at greater than 600 F. “Sodium-sulfur is more energetic than lead-acid, so if you can somehow get it to a lower temperature, it would be valuable for residential use, Ralph Brodd, an independent energy conversion consultant, says.

Ceramatec’s new battery runs at less than 200 F. The secret is a thin ceramic membrane that is sandwiched between the sodium and sulfur. Only positive sodium ions can pass through, leaving electrons to create a useful electrical current. Ceramatec says that batteries will be ready for market testing in 2011, and will sell for about $2000.
 
  
نویسنده : Hesam Eshghi Sanati - حسام عشقی صنعتی ; ساعت ۱:٢٩ ‎ب.ظ روز یکشنبه ۱٥ شهریور ۱۳۸۸
تگ ها :

نامه ای به جماعت معماری؛ چه کسی می خواهد معمار شود؟!

Who Wanna Be An Architect?

Architecture in Turbulent Times

 

 
Dear Architect,

Let's start with the basics: the goal of our Architect role is to align IT with the course of business. So far, so good, eh? So, being that almost every business has been challenged as a consequence of the current economic slowdown, we-as architects-are challenged to make our architectures follow the pace of business that these days is particularly changeable and unstable.

We thought that we had a clear understanding of the rules corresponding to the latest scenario. Having made a plan to face it, and being in the middle of the execution, we're told that the organization must now implement further changes to keep business going. The results of the last quarter were known, and growth expectations were revised to lower-perhaps negative-numbers.

This issue of The Architecture Journal won't tell you when this meltdown will end or whether we'll have kept our jobs. It will, however, share architecture strategies, IT behaviors, and-for sure-success stories. I counted on the invaluable collaboration of Mike Walker as guest editor for this issue. Mike wrote the opening article, which details how architects can add value back to the business during climates as particular as the current one. He and the other authors are architects like you and me: they didn't live during the Great Depression and, even if they had, technology in general and IT architecture as a discipline were slightly different from what they are today. They were suddenly challenged, and they responded to those challenges. Now, they tell us how they are succeeding. I hope you'll find both inspiration and courage in these pages.

By the way, as announced in the last issue, we keep adding features to the Journal to take advantage of its now mainstream digital format. We've introduced a "Follow Up" section at the end of any article that has references for going further with implementation.

This issue, we're introducing the "guest columnist" concept. You'll find that an article comes with one, two, or even three guest columnists. We intend to widen coverage on a given topic by offering different perspectives and voices. We're not yet done with these new features. Also, for those of you who are interested in receiving a printed version, we're still working on a print on-demand model.


Diego Dagum

  
نویسنده : Hesam Eshghi Sanati - حسام عشقی صنعتی ; ساعت ۱٠:۱٥ ‎ب.ظ روز سه‌شنبه ۱٠ شهریور ۱۳۸۸
تگ ها :

The Architect and the Machine

Michael J. Lewis

The central fact of architecture in our time is the collapse of the modern movement. One by one, the central planks of architectural modernism—moral urgency, an agenda of social reform, and a strong sense of historical mission—have fallen away, leaving only the forms to live on. Without modernism’s social program to underpin it, architecture has become a species of commercial art, adjusting its façades and spaces with no more ideological consideration than goes into the updating of a hemline. Paradoxically, this development has made the major modern architects far more interesting figures than they were a generation ago. In the 1960’s, modernism’s luminaries had come to be ridiculed for their humorlessness, their authoritarian disposition, and their utter obliviousness to the complex reality of life as it is actually lived. In particular, their stance of moral seriousness seemed preposterous. Today, however, things look rather different. Perhaps because an age of anarchy always looks yearningly toward rule-givers, there is considerable nostalgia for and curiosity about the heroes of modernism. This may explain the recent spate of major books and exhibitions on such mid-20th-century masters as Ludwig Mies van der Rohe (2001), Marcel Breuer (2007), and Eero Saarinen (2008).

 

درباره نویسنده:

Michael J. Lewis teaches American art and architecture at Williams College.

  
نویسنده : Hesam Eshghi Sanati - حسام عشقی صنعتی ; ساعت ۱٠:٠٦ ‎ب.ظ روز سه‌شنبه ۳ شهریور ۱۳۸۸
تگ ها :